For the past 2 months I think it has been James Blake’s reworking of Feist’s Limit To Your Love. Making the blog rounds since whenever but I really really like it. It just has this absurd amount of detail. The best bit is the 2 to 3 second silent break (ok there’s fadeout/echo and background noise…) before this insane sub bass comes in.

First, make sure you got some sick cans. It’s all in the sub. The fadeout at 45 secs in is what I described.

Mr. Blake is releasing his self titled debut LP in Feb. Which means shit’s making the rounds now if you catch.

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